The Dictionary of Fictional Techniques Proxy Detailing

The Dictionary of Fictional Techniques Proxy Detailing The Dictionary of Fictional Techniques  is a running feature in which I observe, name, and discuss heretofore uncategorized (at least to my knowledge) literary devices. See previous entries here. ____________________________ Proxy Detailing: Giving the particular name, brand, or style of an object to give it specificity without actually describing it. Example: Two days after his caran 85 Chrysler LeBaron with leather seats and all-power accessoriesvanished from the driveway, Warren Ziller crept past the expensive homes of his neighbors, trying to match his dogs limp. from  A Model Home  by Eric Puchner Discussion: This is a particular pet peeve of mine, but Ill try to keep my discussion here somewhat reasonable. Proxy detailing seems to me a rather recent phenomenon (and by recent, I mean the last several decades) as advertising and brand recognition have allowed it to be at all useful. The strength of this technique is fairly plain: if you tell the reader exactly what the car/object is, then they have a ready image of it. It is as specific as you can really be, without having to describe what the object is. The weaknesses, though, are considerable. First, if your reader is not already familiar with the brand/object, it is quite a bit more frustrating for them than just saying car. For example, I have no idea what an 85 Chrysler LeBaron looks like, so rather than bringing me closer to the object, this proxy detailing actually creates more distance than just car would, as I am now aware that there is a gap between the information intended and the information received. Another weakness of proxy detailing is that it shortcuts one of the things we ask literature to do, namely, to help us see the familiar in a new light. If I do indeed have a sufficient knowledge of an 85 Chrysler LeBaron to form an image of it, it is my image that is being formed, unaltered and unestranged by the authors artistic vision. ____________________________ All entries in The Dictionary of Fictional Techniques are original to, unless otherwise cited. (This means that they aren’t ‘real words,’ so don’t use them in your freshman comp essay)